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| home > music > a.r.t. discography (archived) | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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applied rhythmic technologyA.R.T. used to be Kirk Degiorgio's label now superseded by Op-ART. The number of releases might be little but the effect they had can't be imagined. Every record marks a high-light and makes this label's output rare objets d'art for collectors.
this was the very first release in the series of four
& came out in fruition during the summer of '91 when an excited carl craig
contacted a soho record shop in search of kirk degiorgio. a few weeks
before kirk had sent carl a preview tape of a number of tracks which so
impressed carl that he released them on his own the previously unheard of balil & atypic kicked off side one with nort route & blah. a quick scan of the credits soon revealed that Black Dog were responsible for producing these tracks. they had already released three innovative eps on their own label as well as the much sought after plaid lp and were gaining a growing reputation amongst the underground at the time of the release of art 1. nort route is the first example of balil's unique approach to the world of rhythmic & complex sequenceing, blah however exemplifies the other side of the early black dog sound with its raw edges & machanic undertones. the b side of art 1 belongs exclusively to kirk degiorgio
as it features tracks under his two original pseudonyms future/past &
as one which had only been previously available through the dance intellect
ep (b1203) on
ART 2 CD - The Philosophy of Sound and Machine
ART 2.1 - The Philosophy of Sound and Machine Pt. 1
the next release in the art series came about through a link up between kirk and rephlexs grant wilson - claridge. the two discussed and released the philosophy of sound and machine compilation which was only available on cd. this album was a landmark release in the history of electronic music as it brought together for the very first time on one album the aphex twin, b12 & black dog amongst others. at the time these artists were part of the underground time has now shown how important and innovative these artists were & still are. as some of the tracks on the cd would never be available on vinyl kirk took the step of readdressing this situation and put together art 2.1 & 2.2 which basically featured some tracks from the historic cd as well as brand new mixes and previously unreleased tracks. Once again as on art 1 future/past supplied the club angle with the detroit influenced nebula variation which used fast, intricate percussion patterns driven by the familiar dx100 bass sound. another track featured was debris by cmetric which was b12's most unorthodox release to date and gave and insight into their present experimental direction. debris uses samples as a basis for the track which builds into dancability before disintegrating into a deep & wonderfully off key breakdown before building once again. the whirling spirits by balil has a magical & mysterious edge which brings many to the conclusion that it is the showpiece of art 2.1. not to be out done on the mythical side as one offers us isatai, a suitably melancholic affair which takes its title from an indian chief who believed that his magical powers would make his tribe immune to an approaching armies bullets. [1] ART 2.2 - The Philosophy of Sound and Machine Pt. 2
this naturally followed on from art 2.1 as it once again
fromed part of the vinyl releases from the aforementioned philosophy of
sound & machine cd. once again future/past was featured along with kirk's
third third pseudonym to date esoterik. the newcomer to this series was
matt cogger who contributed a track under his neuro politique moniker.
matt is an uk artist who had spent the majority of 1990 in detroit looking
after derrick may's art 2.2 was and still is sought after due to the previously unreleased balil track choke & fly which was another complex tune with deftly disguised breaks & multi-layered melodies. esoterik's offering took on board numerous samples of 80's disco tracks & tense oberheim strings to create the realistic effect of a movie chase scene. [1]
after supplying carl craig with tracks for his pe-art-1
release in '91 kirk received a huge favour back in '93 when carl supplied
him with a stunning ep for release on art. this was to become art 3. an
ep which featured four original tracks from carl under the pseudonyms
of psyche & b.f.c. neurotic behavior had been recorded in '90 at the
r&s studios in belgium & had been remixed by derrick may for release
on transmat. however, the original had never seen the light of day. carl
managed to eventually locate this unheard of version & cleaned it up for
release on art 3. neurotic behaviour has become a legendary track which
though djs like
ART 5.1 - Phenomyna: Explained V1
ART 5.2 - Phenomyna: Explained V2
ART 7.2 - Elegy/Esoterik/Redcell
This is the second part of the cooperation between A.R.T. and B12. The a-side with Esoterik and Blue Binary has catalogue number ART 7.2 whereas the b-side has the number B1214.2
Who Is Who of A.R.T.
Compilations
Credits
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